Primus, Green Naugahyde Review

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The 80’s and 90’s produced some of our times’ most interesting music, but nothing is as quirky and fascinating as Primus. The power trio is currently made up of Larry LaLonde, a student of guitar guru Joe Satriani, Jay Lane, and leader of the project, Les Claypool. Their most recent release, Green Naugahyde, is the first with this line-up and while Claypool has had a hard time keeping members in the band, it could be his incredibly advanced way of thinking about music that causes them to leave. Lane’s prowess, as one of the most talented drummers playing right now, combined with LaLonde’s technical ability and Claypool’s wildy creative and exciting style makes Primus one of the most accessible and remarkable live acts touring right now. Primus will be playing this album in its entirety during the second set of shows on this tour.

In a most creepy opening stunt, the first track of Primus’ new album, “Prelude to a Crawler,” is without the man himself, just LaLonde’s eerie, wandering, reverbed-out melody, but on the drop of the next track, “Hennepin Crawler,” we finally hear from Claypool. Pumping a bass that could shatter your rib cage, you almost miss his wild lyrics that serve more as a rhythm section than anything.

The third selection brings us the lighter side of Primus, which is certainly not light by any definition of the word. “Last Salmon Man” chronicles the life of a young farmer and brings us the first great guitar solo of the album. LaLonde also takes back-up vocals on this track, supporting Claypools quirky sound with his own somewhat melodic voice. And finally, we get to joke-y but dead ass serious Primus. The lyrics give the best picture of the feel of this song: “I like it, I really really like it, I think I’m gonna buy it, cuz I really really like it. Eternal consumption engine, here in the USA, eternal consumption engine, we really do like to spend our pay, eternal consumption engine… slingin’ down the slices of American Pie, eternal consumption engine, every time I get a little bit bored, eternal consumption engine, head to the wally-mart store.” Haunting, daunting, and true, with the repeated chorus “Everything’s made in China,” this song is probably the most lyrically stimulating while being musically fascinating at the same time.

Green Naugahyde Album Cover

“Tragedy’s a Comin’” (stream here) was the selected single off the album, and for obvious reasons. It’s radio friendly, not too overwhelmingly heavy, with classic Claypool riffs and enough guitar to make any arena go crazy. The lyrics also make some sense, but they don’t make so much of a statement that they could eliminate listeners.

Taking tempo down a notch, “Eyes of the Squirrel” sounds like a typical Primus song, making a small statement lyrically about American culture and reality TV. They fade into a gargly, drawn out ending that blends with the next track’s synthesized introduction, which builds to a cliff before dropping into LaLonde’s spiky guitar pit and being swallowed by Jay Lane’s erratic, but totally controlled drumming. “Jilly’s on Smack” is the first track that we don’t hear Claypool’s distinct vocals, and rather the focus is on his stand-up bass sound that smoothly undertones the wildness of the drums, until the bridge, when they start what sounds like jamming.

“Lee Van Cleef” delivers the classic dirty bass we all crave when listening to Primus and has the first and only mention of the album title. Similarly, “Moron TV” also best serves as a chance for Les to get muddy on his bass, and for him to attack (again) the lazy and lush American culture, especially with regards to watching TV.

“Green Ranger” is a wild and ghostly little jaunty asking, “Who wants to ride with the Green Ranger,” and again bringing back Claypools powerfully deep stand-up techniques. “HOINFODAMAN” is a skipable track, another critique on culture- this time, advertising, but together these two make a quirky interlude before the explosive closing number, appropriately titled “Extinction Burst.” Dense with sound, technically exciting and exploratory, this second-to-last track is creepy-crawly-funk-rock-metal song that you crave from Les Claypool and Primus.

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